Senin, 23 Desember 2013

Watch Saving Mr Banks Online Full Movie

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Author P. L. Travers reflects on her difficult childhood while meeting with filmmaker Walt Disney during production for the adaptation of her novel, Mary Poppins.
Director: John Lee Hancock
Writers: Kelly Marcel, Sue Smith
Stars: Emma Thompson, Tom Hanks, Annie Rose Buckley





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How much Hollywood hokum are you prepared to swallow? That should be the operative question heading into “Saving Mr. Banks.”

Don’t get me wrong: There’s lot to like about the film, a telling of how Walt Disney persuaded the author of “Mary Poppins,” P.L. Travers, to allow for a film adaptation of the book. It’s headlined by two outstanding performances from two of our finest actors, and it’s an intriguing look at the creative process.

However, there’s also this: “Saving Mr. Banks” is blatant Oscar bait, aimed at the aging, Old Hollywood-idealizing demographics of the Academy Awards electorate. It’s a love letter by Disney (the corporation) to itself, complete with loads of product placement of the theme parks, the movie library and even Mickey and Goofy. And it’s a white-washing of Walt Disney the man, leaving out anything negative or unsavory from his biography. Not since the Google commercial that was “The Internship” has a movie been so obvious a feature-length advertisement for a specific company.

Also, everything I’ve read indicates that the events of the film are about 180 degrees away from what actually happened. The film is a full-throated defense of Hollywood B.S. and print-the-legendism over reality, while incorporating the world’s most tired screenwriting crutch, attributing any and all motives to daddy issues. And its conclusion is that there’s only one thing that can melt the heart of a troubled, cold-hearted grouch, and that one thing is a Disney movie.

All of that is true. But I’m not ashamed to admit that, on some level, I fell for it.

Helmed by John Lee Hancock- who also directed “The Blind Side” and believe me, it shows- “Saving Mr. Banks”depicts author Travers (Emma Thompson), as a sad, bitter, hostile middle-aged woman, scarred by the childhood in which she was raised by her loving but alcoholic father (played in flashbacks by Colin Farrell.) Reluctant for years to okay a movie adaptation of her book, she’s at last persuaded by Walt Disney (Tom Hanks) to come to Hollywood and participate in the movie.

In between the childhood flashbacks, which roughly form the plot of “Mary Poppins,” we’re let into the creative collaboration behind the movie, which included screenwriter Don DaGradi (Bradley Whitford) and composers the Sherman brothers (Jason Schwatzman and BJ Novak). Can this team of Hollywood magic makers get this unhappy Brit to help them create a classic movie, and maybe make her smile in the process? What do you think?

So what rescues this film from transparent manipulation? Mostly, it’s Tom Hanks, who’s just wonderful here. It’s always risky when an iconic actor plays an iconic real-life person, but the actor manages it here, especially in a long monologue that essentially spells out the movie’s thesis statement. After years of spending most of his time either producing or starring in lackluster projects like “Larry Crowne,” it’s so great that Hanks has his leading-man authority back, in both this and “Captain Phillips.”

I haven’t seen “Mary Poppins” in a long time, and I’d imagine most people my age or younger (I’m 35) haven’t either, so I’m sure “Saving Mr. Banks” will be a tough sell to anyone not enamored with old-Hollywood glamour and Disney mythology. When I saw the film I was seated in front of four little old ladies who sussed out the plot out loud throughout, and sang along with all of the songs. That- especially the ones with Oscar votes- are this film’s primary demographic.

In all, “Saving Mr. Banks” adds up to a perfectly fine movie that will likely get considerably more Oscar nominations than it probably deserves.

Watch Anchorman 2 The Legend Continues Full Movie Online

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With the 70s behind him, San Diego's top rated newsman, Ron Burgundy, returns to take New York's first 24-hour news channel by storm.

Director: Adam McKay
Writers: Will Ferrell, Adam McKay, 2 more credits »
Stars: Will Ferrell, Christina Applegate, Paul Rudd |
Plot Keywords: anchorman | sequel | news spoof | journalism | newsroom
Taglines: It's Kind of a Big Deal
Genres: Comedy 





http://goo.gl/x7O2Vi

Reviews:

Ron Burgundy and his news team were the story of the weekend with Anchorman 2: The Legend Continues, though their numbers are anything but a big deal. The film opened at the lowest end of its expected spectrum and I have yet to come across anyone who’s liked this film unreservedly. I was never a big fan of the original, which I got around to a few years too late. (I expect this one to hit my rental queue sometimes in 2017). It opened behind The Hobbit, for which the amount of critical goodwill hasn’t been nearly strong enough to convince me something better than the insufferable first episode is in store. Smaug smug as it may sound, I can think of quite a few better things to do with two and a ½ hours.

American Hustle expanded beyond New York and Los Angeles and all the way to snowy Montreal, where I was able to watch it. (Personal story: this is the third time in my life that I’ve went to le cinema on trips to Montreal, after the first Sherlock Holmes installment and Ted. The experiences are very slowly but surely improving. I expect to catch a real good one on my 2017 trip.) Hustle is Russell’s unruliest but least energetic offering, though it’s totally worth watching because of Amy Adams and Bradley Cooper’s perm. At $20m, it doesn’t seem positioned to beat Silver Linings Playbook’s gross, but The Fighter’s should be within reach.

SPECIAL EDITION

Minggu, 22 Desember 2013

Watch American Hustle Full Movie Online

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Director: David O. Russell
Writers: Eric Singer, David O. Russell
Stars: Christian Bale, Amy Adams, Bradley Cooper |
Plot Keywords: con artist | mobster | written by director
Taglines: Everyone Hustles To Survive
Genres: Crime | Drama





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OVERALL

A who’s who of David O. Russell performers from his past two films Silver Linings Playbook and The Fighter, (with an exception of Jeremy Renner), American Hustle is a film driven by such performers who are game for the unorthodox shenanigans he often gravitates to. In fact, the film is more about its performances than its characters, which isn’t entirely a good thing. It’s good for the ability to enjoy the experience of the movie — the giddiness of watching these actors all in the same room with equally great hairdos from a different era gives the party that is American Hustle a strong replay value. But this film is a special moment like A-list celebrity volleyball games, complete with Jennifer Lawrence aggressively cleaning her living space to Wings’ “Live and Let Die,” or an incredible batch of scenes with Bradley Cooper antagonizing a famous comedian. It’s going to make a lot of gifs, in which Cooper will be assuming a more immediate lead role.

But once one attempts to dig under the recognizable actors in these playfully unrecognizable characters, there is a comparatively less amount of richness to be found. While we can be thankful that American Hustle places these characters into unique relationships with one another, they are heavily uninteresting when taken as individuals, despite the potential that remains there (with an exception of Cooper’s underdog Richie, perhaps). Bale’s manipulative Irving Rosenfeld, though captivating in the film’s first shot as he assembles his hairpiece, doesn’t hold our attention or our emotion when he has a dark pensive moment in one of his laundromats; Lawrence’s Rosalyn is another amusing character for the endearing actress to play, is but a collection of goofy jokes about being trashy. Even Amy Adams’ Sydney, who strangely commits to a bad accent for a very comical amount of time, is cut short for her potential.

Russell shows that he is a sound filmmaker, both visually and in terms of his usage of music. As with The Fighter, he expresses that he knows how to bulk a soundtrack. In particular, he has a specific taste for music that can fulfill sequences with both nostalgia and a distinct energy, steering the drama of the sequence. American Hustle, with all of its jokes about Anchorman-like costume design, features a great scene of character procession to the climactic wails of Elton John’s “Goodbye Yellow Brick Road.”

As indicated by the planted existence of Lawrence’s character (one who is on the fringe of becoming an ugly example of Oscar politics), American Hustle is best at making jokes than it is a strong narrative for which the audience to get into, welcoming its audience with a plethora of ’70s-based laughs more than intriguing “Some of this actually happened” true story craziness. In terms of film history, Russell’s latest is this year’s Burn After Reading. A movie that is preceded by its ridiculousness, American Hustle is a hugely amusing film, but not one to take very seriously. also read >>


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The Hobbit The Desolation of Smaug

Minggu, 15 Desember 2013

Watch Anchorman 2 The Legend Continues 2013 Full Movie


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Anchorman 2: The Legend Continues
Reviewer's rating: 9/10
Rated M, 119 minutes, opens Thursday
Genre: Comedy
Director: Adam McKay
Stars: Will Ferrell, Steve Carell, Paul Rudd, Kristen Wiig, David Koechner, Harrison Ford, James Marsden, Christina Applegate, Josh Lawson, Meagan Good
Verdict: A deliriously barmy, laugh-out-loud sequel that manages to top the much-loved original, with fond nods to Australia in tow

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Almost a decade has passed since Ron Burgundy and the Channel Four News crew were seen swinging their supersized egos across a San Diego studio room floor. Anchorman - that wry, dry sleeper hit of yore - quietly, almost innocuously, became a cult favourite, to the extent that star Will Ferrell admitted he was often asked about little else.

Momentum for a follow-up slowly began to build.

Little surprise, then, that when the cast of this long-awaited revival arrived, en masse, for last month's Australian premiere, Antipodean people power was name-checked as a factor in getting the gang back together. (Amid a flurry of global pre-release, social-network marketing was a YouTube message specifically referencing the Melbourne Cup and Sydney Airport).

Anchorman 2 is so gleefully awash with references to Australiana that it could be a blatant love letter from its star Ferrell (who co-wrote the screenplay and is a frequent visitor to our shores). A white pointer, the legacy of Olivia Newton-John, a brash Aussie boss (played effectively by Josh Lawson) and an airline christened Koala Airlines all feature prominently.

Read more: http://www.smh.com.au/entertainment/movies/anchorman-2-the-legend-continues-review-followup-a-sparkling-burgundy-20131213-2zaqq.html#ixzz2ncURFdmx

Kamis, 12 Desember 2013

Watch Hours 2013 Putlocker

Watch Hours 2013 Putlocker
Watch Hours 2013 Putlocker
One of the final films completed by Paul Walker before he died in a car crash last month, “Hours” marks a poignant farewell for its star — and a promising debut for director Eric Heisserer.

Walker carries the picture almost single-handedly as Nolan, a father awaiting the birth of his first child in New Orleans just as Hurricane Katrina is about to hit. A swift (and rather unconvincing) series of circumstances soon finds him alone in the hospital with his newborn daughter. She needs a respirator. When the power goes out, he’ll have to use all his resources to keep them both alive.
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Heisserer has written several horror screenplays (the reboot of “A Nightmare on Elm Street,” “Final Destination 5”), and he uses this experience to excellent effect. Like the main character, he has little to work with — one actor and a single setting for most of the film — which forces him to think creatively.

As for Walker, he shows (as he did in last summer’s indie “Vehicle 19”) an earnest desire to push himself in new directions — and prove his skill to those who associate him only with the “Fast & Furious” films.

The 97-minute running time for “Hours” feels strained. Walker still does best when he’s in action, rather than emotional, mode. But most of the movie elicits tense empathy, which builds to a genuinely nerve-wracking sense of dread. Read more: http://www.nydailynews.com/entertainment/tv-movies/hours-movie-review-article-1.1544849#ixzz2nJ1monk1

Senin, 09 Desember 2013

Watch Tyler Perry's A Madea Christmas 2013 Full Movie

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Lionsgate has brought online a trailer for their upcoming Tyler Perry's A Madea Christmas. Check it out in the player below, courtesy of Fandango.

Written, directed, produced by and starring Perry, the comedy opens on December 13 and also stars Kathy Najimy, Chad Michael Murray, Anna Maria Horsford, Tika Sumpter, Eric Lively, JR Lemon, Alicia Witt, Lisa Whelchel and Larry the Cable Guy.

In the movie, Madea gets coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas, but the biggest surprise is what they'll find when they arrive. As the small, rural town prepares for its annual Christmas Carnival, new secrets are revealed and old relationships are tested while Madea dishes her own brand of Christmas Spirit to all.

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VIDEO [HD]

ask reviews:

What film of his makes money??? Track it. Since Diary of a Mad Black Woman, his films have been dying at the box office one by one.
His quality of work is all the same too. He speaks to older and black women alike. His heroines in his films are unforgivingly bashed, abused, and victims of the cruelest instance. During the last ten minutes, the antagonist gets their comeuppance and the audience leaves happy and ready for Sunday morning service. For the uninformed, it's called sentimentality. It's when the author/creator takes your emotions to one end of the spectrum, then suddenly yanking you hard in the other direction. The sudden emotional change causes a heightened reaction. I challenge you to find any one of his films where sentimentality does not occur in the last ten minutes.

Tyler could care less about what all you bastards have to say. He's not competing for his films to blow out in the box office against other popular franchise films like Transformers, Captain America, The Hobbit, etc.; no, he's simply giving his fans what they want. As long as we still want Madea, he will keep doing it. She is hilarious and Tyler is an amazing guy. His films are full of inspirational messages. Nothing else has made me be able to cry so terribly and laugh my gut out. It's real life people. This stuff happens and I'm glad he is able to touch on these topics and bring realization to them and offer help all the while still being funny throughout his films. So, all of you who hate it, get over yourselves. You're probably (no, scratch that, you ARE) just jealous anyway. read more at: http://www.comingsoon.net/news/movienews.php?id=109414

Watch The Hobbit: The Desolation of Smaug 2013 Full Movie

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Packed with exclusive behind-the-scenes photographs, this official illustrated guide tells the detailed story of the making of the second film in the award-winning Hobbit trilogy, directed by Peter Jackson.

Journey deeper into the magical world of the hobbit, Bilbo Baggins, through exclusive interviews with director Peter Jackson, Martin Freeman, Orlando Bloom and principal filmmakers and new cast members, including Stephen Fry as the Master of Lake-town, Evangeline Lilly, who plays Tauriel the Elf, and Benedict Cumberbatch, who reveals film-making secrets about playing the dragon, Smaug.

Richly illustrated with a treasure trove of behind-the-scenes photos of the actors, creatures and costumes, and numerous special effects scenes, this essential guide is an indispensable companion to the second film in the award-winning trilogy.

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 Reviews; http://www.goodreads.com/book/show/18126796-the-hobbit

Sabtu, 07 Desember 2013

Watch Inside Llewyn Davis 2013 Full Movie


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Joel & Ethan Coen are known for their off-beat and ambitious films which often mix comedy and crime, and feature colorful characters. "Raising Arizona", "Fargo", and "The Big Lebowski" certainly fall into that category. The Coens have also gotten gritty, beginning with 1984's "Blood Simple" and highlighted by 2007's Oscar-winning "No Country For Old Men" (and I called it, friendo). Their latest film doesn't fit into either of those categories or really follows anything the brothers have done in the past, which clearly, is exactly what they we going for.

"Inside Llewyn Davis" is a quiet, sincere look at a musician struggling to find purpose in his life in the midst of the 60s music scene in Greenwich Village, NY.

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Oscar Isaac ("Drive") hits all the right notes as the title character. It's 1961. Llewyn, a folk singer, is still mourning the loss of his partner, who committed suicide. So now he's attempting to make it as a solo artist, but is getting no help from his crabby manager and is left to perform at the same club night after night.

His former girlfriend, Jean (Carey Mulligan) is pregnant, and she doesn't know if Llewyn or new boyfriend Jim (played by real-life music superstar Justin Timberlake) is the father. They are also a folk singing duo. Nonetheless, Jean wants an abortion.

Llewyn has no home and hardly any money. We follow him (and a cat or two) over the course of a week, as he wanders through the city and then goes on a road trip with businessman Roland Turner (John Goodman) and his driver ("TRON: Legacy"'s Garrett Hedlund) to Chicago, where he hopes to finally get his big break.

But the struggling singer can't escape his problems. He believes he's doing the right thing with the decisions he makes, but instead, often fails to think things through, which only gets him in deeper. Llewyn is not the hero of this story by any means. He is a lost soul, troubled by his past, and incapable of planning a future.

With "Inside Llewyn Davis" the Coens have created a character and a film that audiences should be able to relate to. His struggles are our struggles. Life continues to throw Llewyn curveballs, which he has difficulty handling. And still we see glimmers of hope for him as he pushes on.

Unlike the Coen Brothers' previous film, the 2010 remake "True Grit", "Inside Llewyn Davis" relies on an unconventional storyline to the finish. Llewyn is a victim of the poor decisions he's made and continues to make. And his pride often prevents him from getting the help he needs. There are life lessons here for everyone.

At times this is a moving film with a standout performance, great music and some smart dialogue, which also has important things to say. It will be very interesting to see if it inspires Awards Season voters. There are several strong scenes, but the movie is emotionally inconsistent. The quirky supporting characters are a bit flimsy, forcing Isaac to carry the film on his back. And the device of the cat doesn't work at all, resulting in more of a mainstream feel than, I'm sure, the Coens intended.

Minggu, 01 Desember 2013

Watch Out of the Furnace 2013 Full Movie Online [Free]

Synopsis:

From Scott Cooper, the critically-acclaimed writer and director of Crazy Heart, comes a gripping and gritty drama about family, fate, circumstance, and justice. Russell Baze (Christian Bale) has a rough life: he works a dead-end blue collar job at the local steel mill by day, and cares for his terminally ill father by night. When Russell’s brother Rodney (Casey Affleck) returns home from serving time in Iraq, he gets lured into one of the most ruthless crime rings in the Northeast and mysteriously disappears. The police fail to crack the case, so – with nothing left to lose – Russell takes matters into his own hands, putting his life on the line to seek justice for his brother. The impressive cast of Christian Bale and Casey Affleck are rounded out by Woody Harrelson, Forest Whitaker, ZoĆ« Saldana, Sam Shepard and Willem Dafoe.
Reviewed at Magno screening room, New York, Oct. 23, 2013. (In AFI Fest—Centerpiece Gala; Rome Film Festival — competing.) MPAA Rating: R. Running time: 115 MIN.
Production

A Relativity Media release presented in association with Red Granite Pictures of a Relativity Media/Appian Way/Scott Free production. Produced by Leonardo Di Caprio, Jennifer Davison Killoran, Ridley Scott, Michael Costigan, Ryan Kavanaugh. Co-producers, Kenneth Halsband, Jamie Marshall, Michael Ireland, John Ridley, Adam Marhsall, Danny Dimbort. Executive producers, Riza Aziz, Robbie Brenner, Ron Burkle, Jason Colbeck, Joe Gatta, Joey McFarland, Christian Mercuri, Tucker Tooley, Jeff G. Waxman, Brooklyn Weaver.
Crew
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Directed by Scott Cooper. Screenplay, Brad Ingelsby, Cooper. Camera (Technicolor, widescreen, 35mm), Masanobu Takayanagi; editor, David Rosenbloom; music, Dickon Hinchliffe; production designer, Therese DePrez; art director, Gary Kosko; set decorator, Merissa Lombardo; costume designers, Kurt & Bart; sound (Dolby Digital), James Emswiller; sound designer/supervising sound editor, John Morris; re-recording mixers, Leslie Shatz, Rick Kline; visual effects supervisor, Raymond Gieringer; visual effects, Comen VFX, Prime Focus; stunt coordinator, Ben Bray; associate producer, Dana Reaves Bolla; assistant director, Jamie Marshall; casting, Ronna Kress.
With

Christian Bale, Woody Harrelson, Casey Affleck, Sam Shepard, Willem Dafoe, Zoe Saldana, Forest Whitaker. read more at: variety.com/2013/film/reviews/afi-fest-film-review-out-of-the-furnace-1200801015/